«Music» is dirty, casually urgent, as if Madonna walked into the studio, got on the mike and let the machines bump. Check the improvisational.
Music embodies that moment when destiny shoots us into the unknown. You thought Madonna was calculating, but here she’s never been more instinctive.
Music does all this with Madonna’s most radical sonics yet. William Orbit makes “Amazing” live up to its title by conjuring an even sassier spin on the gurgling grooviness of “Beautiful Stranger.” And the six cuts co-produced with French synth weirdo Mirwais madly reference the past while achieving intimate, futurist pop. Her closely miked voice, recorded with minimal sweetening, abandons her recent Evita-schooled operatics for a spontaneous yelp that circles back to her club-belter beginnings.
[October, 200 by Rolling Stone magazine]
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On September 18 2000, Madonna’s eighth studio album, Music, was released by Maverick and Warner Bros. Records.
The album was recorded at The Hit Factory in New York, the Guerilla Beach Studios in Los Angeles and the Sarm East and West Studios in London.
Madonna adopted a cowgirl/country theme for the album, with the album artwork photographed by Jean Baptiste Mondino.
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